![]() ![]() The shifting bodies include parallel lines turning into barbells, a large circle turning into an outline of multiplying cells, and the horizontally divided field emblem that is Barney’s signature motif. Under the tables of both blimps resides the biunique beauty, Goodyear, who sets the story in motion: with the grapes, Goodyear makes figures that direct the choreographic patterns created by a troupe of dancing girls on the field below. Each of the blimps have four air hostesses and one white table, its top decorated with an abstract centrepiece sculpted from Vaseline and surrounded by clusters of grapes, green in the one blimp, purple in the other. Two Goodyear Blimps float above the arena like the airships that often transmit live sporting events via television broadcasts. The starting point is a stadium in Boise, Idaho, where Barney grew up. ![]() ![]() Artist Matthew Barney’s one-of-a-kind five-part series, closely integrating film with contemporary visual and conceptual art, is called “cremaster” – after the muscle that controls the testes. ![]()
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